Joan Didion’s landmark collection of essays, Slouching Towards Bethlehem, helped define the New Journalism of the late 1960s and today stands as some of the very finest nonfiction writing ever produced by an American writer.
From one of America’s iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage--and a life, in good times and bad--that will speak to anyone who has ever loved a husband or wife or child.
A marvel of compression written in spare, expertly honed prose, Play It As It Lays tells the story of minor Hollywood actress Maria Wyeth, in her early 30s, troubled, and the spiritually arid, drug-numbed world through which she moves.
Richly textured with memories from her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion is an intensely personal and moving account of her thoughts, fears, and doubts regarding having children, illness and growing old.
“We tell ourselves stories in order to live.” So begins Joan Didion’s legendary essay collection The White Album, a landmark literary mosaic by one of American writing’s true greats.
In this moving and unexpected book, Joan Didion reassesses parts of her life, her work, her history, and ours. In Didion’s words it “represents an exploration into my own confusions about the place and the way in which I grew up, confusions as much about America as about California.”
“Havana vanities come to dust in Miami,” writes Joan Didion at the start of Miami, a book that looks beyond the city’s bright pastel facades to shadowed scenes, dark history. Didion trains her penetrating vision on Miami’s Cuban exile community during the 1980s, dissecting their hopes and fierce politics, their undying commitment to Castro’s overthrow, and their tangled dynamic with successive American administrations.
A Book of Common Prayer is the story of two American women in the derelict Central American nation of Boca Grande. Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. She has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter.
Displaying the same uncanny gifts for observation, portraiture, and understanding that marked her two prior celebrated essay collections Joan Didion takes us inside the overlapping worlds of American politics and media during the 1980s, her focus the defining narratives and image-making during the Reagan presidency and 1988 presidential race.
Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection.
In these coolly observant essays, Joan Didion looks at the American political process and at "that handful of insiders who invent, year in and year out, the narrative of public life." Through the deconstruction of the sound bites and photo ops of three presidential campaigns, one presidential impeachment, and an unforgettable sex scandal, Didion reveals the mechanics of American politics.
In Fixed Ideas Joan Didion describes how, since September 11, 2001, there has been a determined effort by the administration to promote an imperial America—a "New Unilateralism"—and how, in many parts of America, there is now a "disconnect" between the government and citizens.
In her first novel in twelve years, the legendary author of Play It As It Lays and Slouching Toward Bethlehem trains her eye on the far frontiers of the Monroe Doctrine, where history dissolves into conspiracy (Dallas in 1963, Iran Contra in 1984), and fashions a moral thriller as hypnotic and provacative as any by Joseph Conrad or Graham Greene.
Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam.
"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. Joan Didion delivers an anatomy of that country's particular brand of terror–its mechanisms, rationales, and intimate relation to United States foreign policy. Didion travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear."
Joan Didion's electrifying first novel is a haunting portrait of a marriage whose wrong turns and betrayals are at once absolutely idiosyncratic and a razor-sharp commentary on the history of California. Everett McClellan and his wife, Lily, are the great-grandchildren of pioneers, and what happens to them is a tragic epilogue to the pioneer experience, a story of murder and betrayal that only Didion could tell with such nuance, sympathy, and suspense.
In this dramatic adaptation of her award-winning, bestselling memoir, Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play.
Vintage Didion includes three chapters from Miami; an excerpt from Salvador; and three separate essays from After Henry that cover topics from Ronald Reagan to the Central Park jogger case. Also included is “Clinton Agonistes” from Political Fictions, and “Fixed Opinions, or the Hinge of History,” a scathing analysis of the ongoing war on terror.